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Close your right nostril with your thumb and slowly and gently inhale through the left nostril. Bring your right hand into Vishnu mudra: index and middle fingers tucked toward the palm, other fingers extended. Sit in a comfortable position, spine tall. This balances the energy between the left and right brain, bringing tranquility to the mind. Repeat on the opposite side.Īn extremely relaxing exercise, this breathwork alternates respiration between the left and right nostrils. Exhale, bend the arm, and place your elbow against your right knee. With your left fingertips on the floor behind you, inhale and reach your right hand to the sky. Shift your hips to the right, and place your left foot just outside your right knee, knee bent and foot flat on the floor. Sit with your legs folded underneath you. When released after a good long hold, they bring a fresh supply of blood to the internal organs. Twists are extremely beneficial for the entire digestive process. Gently rest on the top of your head, keeping most of your weight on your elbows. Inhale and push your elbows into the floor while lifting your chest to the sky. Place your hands under your bottom, palms facing down. Lie on your back with feet together, arms by your sides. Hold this pose for up to 30 seconds.įish pose improves breathing by opening the chest and relieves constipation by stretching the abdominal region. Take it a step further by interlacing your fingers on the floor and using this grip to shimmy your shoulders underneath you. With your arms by your sides and palms on the floor, inhale and lift your hips toward the sky. Lie on your back with your knees bent, feet flat on the floor and hip distance wide. When combined with Fish pose, the three poses balance each other perfectly. Try to keep your feet together and legs straight.īridge pose makes an excellent counter pose to Shoulderstand pose as the mid and lower spine are stretched in the opposite direction. If your feet touch the ground, interlace your fingers on the floor and use this grip to shimmy your shoulders underneath you. From Shoulderstand pose, keep your hands on your back and lower your feet to the floor behind your head. At the same time, it stimulates digestion by compressing the abdominal organs. Plow pose is a great stretch for the spine. Hold this pose for up to a minute or more. Keep your legs together and feet relaxed. Draw your elbows toward one another and walk your hands toward your shoulders as needed. Support your lower back with your hands, fingers pointing up. Inhale and in one movement, bend your knees toward your chest to reach your feet toward the sky. Lie on your back with your legs together. Inverting the body brings a fresh supply of blood to the brain, making this pose mentally revitalizing and physically relaxing. Repeat the entire sequence, stepping the left foot back and forward. Exhale and push back to Downward-Facing Dog. Inhale and scoop forward into Cobra pose. Exhale and lower your knees, chest, and chin to the floor. Hold your breath and step your left foot back to Plank pose. Inhale and step your right foot back, lower your knee to the floor, and lengthen your spine. Exhale and fold forward, bringing your palms to the floor on either sides of your feet. Inhale and reach up, bending your back slightly. It is also a great way to start off any Hatha yoga sequence. Moving the spine in all directions, this classic Sun Salutation is considered the best way to warm up the spine and body. This Hatha yoga sequence gives the body time to settle into the posture and the mind a chance to go inward. The poses that follow are generally held for longer than they are in other styles: from 30 seconds to several minutes. In Hatha yoga, Sun Salutations are simply used as a warm-up. While most share the same postures, the overriding trend in modern yoga is variations of Surya Namaskar A and B that are woven together in a flow. So, what is the difference between a Hatha yoga sequence and other yoga styles? This well-rounded Hatha yoga sequence starts off with classical Hatha Sun Salutations, moves through steady holds in poses that twist the spine in all directions, and finishes off with pranayama to calm the mind. Let's Try This Again (Not A Ship, Physiological Horror)Ī Sequel To 'The Curse That Went Wrong (Or Right)', You Don't Have To Read It, I'm Gonna Recap Anyway (Also, The Tags May Be A Little Inacurate, I Don't Really Know How Consentual This All Is) Series Language: English Words: 2,114 Chapters: 1/1 Comments: 9 Kudos: 29 Bookmarks: 1 Hits: 975 Did he deserve this for all the lives he ruined? All of the people he killed? Did he want such a degraded purpose as long as he served one? He subconsciously smiled at the thought of having something to do at all." Series "One day when Andy shoved him into a wall particularly hard, Chucky’s head concussed, and as blood streamed from his mouth he started wondering why he stayed around. Orphan_account Fandoms: Child's Play | Chucky (Movies 1988-2017) Language: English Words: 12,072 Chapters: 6/? Comments: 24 Kudos: 114 Bookmarks: 12 Hits: 3,380Ĭompliance (Not A Ship, Physiological Horror) After all what could go wrong in a rematch fight between Cartman and Wendy. It only takes one moment for someone's life to change forever. In a world of soulmates and rivalries what could go wrong. Lexy Cross & Devon Evans & Jake WheelerĬompliments from Junior and Chucky towards their partners Jake and Andy Language: English Words: 85 Chapters: 2/? Comments: 4 Kudos: 8 Hits: 206.Glen Ray & Glenda Ray & Tiffany Valentine-Ray.Creator Chose Not To Use Archive Warnings.KiaLecterGraham Fandoms: Chucky (TV 2021)
One that has window scroll event that logs scrollY and the other that doesn't have js files. I ran two tests by using the Performance Tab. The page is very simple, has 2000 words, so that there's a scrollbar to test. 150 and it doesn't fire Layout calculation. I tested scrollY inside window scroll event on Chrome Version. Important: do not write to the DOM in regular and do not read from the DOM in animation frame. So to be safe, make sure you only read from the DOM in regular and only write to the DOM in animation frame. If you change something in the DOM before paint and ask the DOM about some measurement after paint it does not need to calculate, because it already knows. If you change something in the DOM and then ask the DOM about some measurement, it will calculate it for you. All code is not in requestAnimationFrame() will execute in regular. With javascript we can execute code in 2 places: regular and animation frame. This means that if something has changed since the last calculation, they will calculate again to be sure.Ī cycle in the browser consists of a few different sections (they go in circles, so me starting with one does not have any meaning) _ paint _ regular _ animation frame _ paint _. Outbrain is forcing layout repeatedly, probably in a The basic idea is that all of those methods will ensure they give the correct values. Read your metrics at the begininng of the frame (very very start of rAF, scroll handler, etc), when the numbers are still identical to the last time layout was done. Batch your writes & reads to the DOM (via FastDOM or a virtual DOM implementation).You may be surprised to see how often your app code and library code hits this. Use DevTools Performance Panel to see where this happens.for loops that force layout & change the DOM are the worst, avoid them.What should you do about all this? Well, the More on forced layout section below covers everything in more detail, but the short version is:. Their costs are very dependent on the content/situation, but typically both operations are similar in cost. So forced layout triggers both operations.
The rule was brought in because Reyes continually achieved this against opponents, causing unrest among fellow players! With the Reyes rule now in place, if a player successfully clears the whole table before their opponent has had a shot, the nine ball has to be repocketed, to ensure fairness. The rule means that players are no longer able to win the game after their initial break-off shot without their opponent having a single turn at the table. The “Efren Reyes Rule” was brought in as a direct result of controversial gameplay by Reyes.Reyes is known for his versatility in different disciplines of pool and there are very few players in the history of the game who can rival him for his skills, confidence and personality. “Bata” is an affectionate word for “kid” in Filipino, a nickname given to him when he was a young child hanging around his local pool halls playing against-and beating-grown men. Efren “Bata” Reyes from the Philippines is considered to be the most famous pool player of all time.Five Fascinating Facts You Never Knew About Pool! You will be looking forward to racking up your next game before you’ve even finished your current one. As soon as you have mastered one form of the game you can jump over to another. Here on GamePix we have collected the most interesting, unique and playable pool games in the world. From trick shots to almost professional standard pool games, there are countless opportunities to try different variations of a game many of us are so familiar with. However, some of the most enjoyable and skillful games you can play today are online pool games. It was often a frustrating experience, with slow gameplay being worlds away from the fast-paced game we were familiar with from bars and pool halls. In the early days of the internet, pool games were among the first games made by designers and video game manufacturers. Here is our Simple Project Plan Template Excel Free Download to manage your plan your project tasks and schedules. Project Schedule Template Excel Simple Project Plan Template Excel Free Download Project Plan Template for Software Development Download our template and Open and enter the details of your Projects.Įxcel Project Plan Template – Free Download Here is the free Project Plan Excel Template for planning your Projects and Timelines. Tasks: Project Tasks Displayed on Vertical Axis, You can display Tasks, Milestones and Project Phases on Y-Axis.Time Period: Shows you on the Horizontal Axis based on the Timelines entered in Start Date and End Date Columns.Project Gantt Chart is created automatically based on the input data which you have entered in the Data Table.
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Whiskers extend to the furthermost extreme points. It is a good idea to convert them to the simple form, by imagining the In its box and whiskers with many values flagged as unusual beyond the Sample, for example, may appear to be reasonably symmetric This canĬonsiderably alter the whisker length of the plot. "reasonable" distance from the end of the box. Of the sample, but to the smallest and largest values inside a The whiskers thus do not extend to the minimum and maximum These sample values are represented variously asĬircles or asterisks beyond the bounds of the whiskers. To sample values which may be unusually removed from the bulk of the data. The boxplots produced by statistical packages are rarely as described above. the number of data points in it) is small (say, less than 10). (symmetry and kurtosis) of your boxplots when the size of your sample Tails (actually a U-shaped population, with a dip in the middle ratherĪvoid making definitive statements about the shape The length of the whiskers is shorterīoxplot of a sample of 20 points from a population with extremely short Whiskers about the same length as the box, or maybe slightly longer.)Ī population with short tails. (A well proportioned tail would give rise to The boxplot of a sample of 20 points fromĪ population with long tails. The symmetric example above is from a Normal population. The box-plot of a sampleįrom a Normal population should exhibit whiskers about the same lengthĪs the box, or perhaps marginally longer. The Normal population - the bell shaped curve. Level of kurtosis, neither too heavy or too light, is represented by Leptokurtic (slender arched) or platykurtic (flat arched). Populations are usually referred to asīeing heavy-tailed or light-tailed, or the Greek equivalent, Lack of symmetry entails one tailīeing longer than the other. The tails are the extremities of the sample or The Boxplot as an Indicator of Tail Length The top whisker and the line is rising to the top of the box. The boxplot of a sample of 20 points from a population which is skewed to the left. Is much longer than the bottom whisker and the line is gravitating towards the bottom of the box. The boxplot of a sample of 20 points from a population which is skewed to the right. The line is close to the centre of the box and The boxplot of a sample of 20 points from a symmetric population. The boxplot of a sample of 20 points from a population centred on 10 with standard deviation 3. The boxplot of a sample of 20 points from a population centred on 10 with standard deviation 1. The boxplot of a sample of 20 points from a population centred on 12. The boxplot of a sample of 20 points from a population centred on 7. The Boxplot as an Indicator of Centrality This is all important whenĬonsidering appropriate analyses of the data. The "shape" of the sample, and by implication, the shape of the The number of points in the sample is not too small, the boxplot also Population and short whiskers, a short tailed population. Whiskers, relative to the box length, can betray a heavy tailed Tells us whether the sample is symmetric or skewed, either to the right or left. The position of the box in its whiskers and the position of the line in the box also The box length gives an indication of the sample variability and the line across the box Particularly when the boxplots of several samples are lined up alongside one another ( Parallel Boxplots). Much more can be read from a boxplot than might be surmised from the simplistic method of its construction, The width across the page signifies nothing. The length of the box becomes its height. Most statistical packages seem to produce them vertically by default, as shown on the right, rather than horizontally. The following diagram shows a dotplot ofĪ sample of 20 observations ( actual sample values used in the display) together withĪlthough boxplots can be drawn in any orientation, TheĬrossbar at the far end of each whisker is optional and its length Of the box until they reach the sample maximum and minimum. A line is drawnĪcross the box at the sample median. Of the box does not represent anything in particular. Of the plot is a rectangle which encloses the middle half of the sample, with an end at each quartile. In its simplest form, the boxplot presents five sample statistics - the minimum, He's the head of the TV studio who, you know, doesn't want to stand for integration. And this is a kind of bad-guy-type part, a kind of villain part. GROSS: Let's talk about the male part that you played. But then, in a way, that's the best thing, too, I guess. And - because so often with my size and things, I'm so - what's the word? - you know, not uptight but - about sticking out too much.ĭIVINE: Yeah, self-conscious, you know, about sticking out too much or being the largest person on the set. I did look exactly the way I was supposed to. That's perfect.ĭIVINE: I looked just like one of the girls on the street.ĭIVINE: Oh, it was good. He looked at me, and he did a double take. I came back and stood right in front of John. I walked right through the camera crew, past John and kept going. When I was doing the film, it was very funny because the first day on the set, I walked down the street. But I said to Johnny (ph), he doesn't have to go too far from his front door, actually, to still see women who look just like that. And I'm glad I know how to tease because that's definitely the look they want. 'Cause when I'm on the road and things doing my club act, there aren't always hairdressers available or things. You used to be a hairdresser, didn't you?ĭIVINE: Oh, for a very short time. And I know John Waters is really enamored with those old hairdos. GROSS: Let's talk about your roles in "Hairspray." A part of the movie is about hairdos, about the great teased bouffant hairdos of the early '60s. I had no idea that they would be such strong characters - that people thought that was all I could do. So you don't go around turning down parts that are the leads or that are written for you if you're a young actor. I never set out in the beginning of my career just to play female roles.īut, fortunately or unfortunately for me, they were the only things that were offered to me. But I think I'm very lucky that I was starting to come out of it. I think it's a cliche Hollywood story - being typecast. GROSS: Are you glad that you played a dual role - that you played a female and a male role so that you're seen as a character actor who's capable of performing in both roles?ĭIVINE: Oh, definitely. So it was great to play 'cause they're unlike any other characters I've ever done. Then I also play a part of Arvin Hodgepile, who is a racist, sexist pig. So she thinks this is great and gets behind her 100 percent and becomes her agent and manager. First, she's a bit leery but then realizes that, in her words, she could be one of the Rockettes. She has a child that wants to break into a dance program on television. GROSS: Let me ask you to describe in your own words the two roles that you play in "Hairspray."ĭIVINE: Well, I think one is Edna Turnblad as a loving mother and adoring wife. Pettipants, pettigirdle - you just let Tracy take her pick.ĭIVINE: (As Edna Turnblad) It's a deal. Pinky) You drive a hard bargain, Miss Edna, and rightfully so. I hope there's no diets in the works because I want to design your Miss Auto Show coronation gown myself.ĭIVINE: (As Edna Turnblad) Could you throw in a pair of complimentary pettipants in the deal? I want you to be my model.ĭIVINE: (As Edna Turnblad) Would she be paid for this? Here, we cater to the big-boned gals like yourself who are stylish and, at the same time, frustrated by the lack of sizes in the department stores today. Pinky) Well, it's a pleasure to meet the both of you. Pinky, I'm Tracy's business manager, Edna Turnblad.ĪLAN WENDL: (As Mr. Pinky's Hefty Hideaway House of Fashion for the Ample Woman to pick out some new clothes for a TV dance show.ĭIVINE: (As Edna Turnblad) Mr. When we spoke, we started with a scene in which Divine, as Edna Turnblad, is taking her daughter Tracy to Mr. In "Hairspray," Divine play dual roles, the housewife and mother Edna Turnblad and Arvin Hodgepile, the racist president of the TV station. I spoke with Divine in February 1988, just after the release of Waters' movie "Hairspray." Two weeks later, Divine died of an enlarged heart. Divine's character wins the title the filthiest person alive in that film. If you've seen the film or the publicity stills, then you'll remember the image of Divine's huge frame covered in a skin-tight, low-cut gown. It was Waters' 1972 movie "Pink Flamingos" that made Divine famous. But when we spoke, he'd been trying to broaden his career and was doing films by other people in male and female roles. Until his death in 1988, he was in every one of John Waters' movies. But Divine said he thought of himself as a character actor. Divine was frequently referred to as a 300-pound drag queen. Let's continue our 30th anniversary retrospective with Divine, the man who often starred in women's roles in John Waters' films. |
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